Showing posts with label 60's. Show all posts
Showing posts with label 60's. Show all posts

Sunday, November 8, 2009

January In November

January In November

Yes, it's January in November. At least in the November issue of GQ. While I'm a firm believer that the print media is as dead as the skeletons that everyone hung up yesterday for Halloween, there's still some magazines that I pick up on a regular basis. Men's Health is one of those. GQ, on the other hand. Well, let me just say that I usually wear a comic book T-shirt and jeans. So my fashion sense isn't as good as the next guy who reads GQ for the articles. Remember, I'm here to push the agenda of hot pictures.

So anyhow, January.. in November. Yes, her name is January Jones and with a name like that, I'm sure she grew up with a lot of stupid James Bond level jokes. Hell, I don't think "Christmas Jones" would be a worse name than January Jones. I guess the whole "Christmas comes only once a year" would be annoying. Then again, April is also pretty bad of a name.



But I come to you with this post with news that Madmen will reach the season finale later tonight. For a network that I would have otherwise never watch, because really, what was the last Classic Movie you've seen on AMC? Add in commercials and I'd rather just make it a Blockbuster night.

AMC now has a couple of my favorite shows. I personally can't wait for the remake of The Prisoner and I'm excited as to when Breaking Bad will return and I can't wait for The Walking Dead to get produced. Especially interesting how they can take 2-3 shows and rotate them around for a whole year's worth of shows. Especially to have them be so high in quality.



On to specifically Mad Men. To watch this show is to take a trip in a time machine back to the 60's. It has the feel of the Sopranos. You can consider this to be a megamovie in that it should be watched together. So those of you who will discover this on DVD and have a marathon of a viewing, you should consider yourself the lucky ones. But for those of us who are plowing in episode after episode, we may be on the edge of our seats as this slow paced story fleshes itself out, but we're certainly not minding it.

So far e have about 26 hour long cycles of this intelligent and exquisite portrait of life in the 1960's for ad men and women around them is a bit overwhelming as it protarys the ideology. I would relate it to Revolution Road. In that, it shows how fucked up life was for women in that day and age (again, I'm a pure feminist, yo)



Each story gets stretched out for long periods of time. Especially since this is only a 12-13 episode season, it does mean that a lot of stories being told get some very extended telling. And it's not without its faults. There are times when story development takes place and yet it seems to have never happened by the next episode. I don't mean the little stuff, but major plot developments that are just dead ends. For example.

Pete declaring his love for Peggy/Baby confession- This was two whole seasons of story and yet was wrapped up, never to be spoken of again, in a very brief conversation at the end of season 2. This should be a major development, Pete especially should be kinda fucked up by it but isn't. Yes I know he doesn't want kids and I know he has the one line in season three "your decisions effect me", but the dude has a baby and it's not even worth a slight mention?



Betty's steamy/illegal/awkward relationship with the creepy kid down the road and his wacky mom- I guess these people must have moved away after Betty found the kid living in her backyard. No mention of these interesting characters, no further exploration of what Betty was thinking when dealing with the kid. This was a story line that I actually wanted to see more of because it seemed like it would explain more of Betty, but we get nothing. Another loose end just left flapping in the breeze.



The British are coming! Don didn't get the promotion and now has a new bo---oh wait NEVER MIND, he just got run over by a tractor- Probably the biggest yet hilarious moment I've ever had in a TV show. But this is not the first time that "major changes are coming to SC" has resulted in "really nothing has changed, continue on." By this point in the show I was a prepared for the writers to throw something into the mix to prevent anything from actually moving forward. Another example of a strong character being introduced that could challenge and put Don in a new situation and yet we have a Deus Ex Machina roll in and put Humpty Dumpty back together again. I have low expectations that anything much will change with SC despite all of the talk of SC being sold.

But that's not to say it's not worth viewing. I really like the show, even if they decide that it's so unnecessary to not tie some of the aspects up. Then again, The Sopranos left a lot of stuff open ended that will never have any closure. Hell, we still don't even know if Tony lived or died at the end of that episode. So don't take my harsh criticism as anything more than a little venting.



The characters are key here. And in this little highlight you've seen a lot of Betty, played by the before mentioned January Jones. Seriously, that's her name. Her husband, the show's main focus character Don Draper, isn't the most loving to her. He means well but clearly is not being all that faithful. Her response, and really a well written act of trying to find her own footing as a person, really does have a lot of women empowerment to it. So don't take the whole idea of the show out of context. It may have a lot of boys club feel to it, but there's a lot of female empowerment in the series.

So while we wait for the season to end tonight and hopefully some stories to get wrapped up, enjoy these pictures of January. I'm sure you wont complain about the view. They are.. rather.. yeah.. they're something. Though, I have to say that there was one image of January Jones from an older GQ magazine that I think beats the shit out of all the new ones. It's very simple and yet is very much hot as all hell;

Sunday, August 9, 2009

Madmen: It Will Shock You How Much This Never Happened

Madmen: It Will Shock You How Much This Never Happened

While a lot of the Summer season shows are coming to a close, tonight marks the beginning of the much anticipated Madmen Season 3. AMC marks this by killing your time if you're bored as you can Madman yourself by going to AMC's Madmen website.



And for those of you who need catching up to prepare yourself for this new season, let me break it down as to where we are.

Peggy Olson grew up, grew a pair, and got an office. Dick Whitman went to California, but Don Draper came home. Pete Campbell couldn't have a baby and threw a turkey off of the balcony. Betty Draper got pregnant, then had sex with Captain Awesome at a bar. Joan Holloway liked having a man's job for a week, but then got demoted, and her fiancee raped her in the office. Roger Sterling left his wife for a secretary. Idiot.

Sal Romano is still gay, and he secretly likes Ken Gosgrove. Harry Crane likes television, so he took it over. Drunk with power (this time) Duck Phillips arranged to have the firm taken over by a British company (and get Don fired in the deal). Too bad he didn't read the fine print.

Welcome back t the Sixties, guys and gals.



So what can we expect from this new season? Let's let the New Yorker fill us in on some tasty tidbits.
The theme of season three is change. “We wanted our key art to be more high-concept,” Schupack explained, unveiling the new poster, which hits this week: Draper is sitting in his office, looking nonchalant, as water rises up to his knees. The image was devised by the Refinery, a Burbank ad agency that beat out three other firms. Schupack flipped through a binder of rejected ideas: Draper at an office party (“too kitschy”), Draper trapped on an ice floe (“too obvious”), Draper getting sucked into a vortex (“too end-of-the-world”).


If you like the art of the time, or hell, just like the style. You should check out the Madmen Illustrated there's some art there that's really amazing and reminds me a lot of Swag.

And if you're a fan of curvy redheads who happen to be married to captain tight pants(nerd reference) then perhaps you should check out Christina Hendricks in her Esquire spread.



Goes to show you that this show has plenty of golden globes already, if you catch my drift. Though to show how life is really something tragic, you should know Christina Hendricks is dating the "I'm freaking out, man" dude from Super troopers who also happens to be the greeting card co-worker buddy in 500 days of summer. Yes, life is confusing that way.

So what makes this show so good? Well, for one thing the feel and look and production values of the show really do shine. As a worker in this field I can tell you that even though AMC is brand new to the series field, they're doing amazing work with this and Breaking Bad.



On a viewer level, the writing for this show is so amazing that I doubt you really understand how subtle this show is in showing character development. Did you pick up on the fact that Don paid off the Bell boy in the elevator to make sure that it wasn't working, forcing the two to go up the stairs and having Roger puke in front of the clients? All this in an act of revenge for hitting on his wife. I think you really have to see this series twice in order to pick up on all the small things like that. Which is a good thing that we have the creation of Netflix and DVDs.

On a personal level I suppose I could relate to Don a great deal. I mean, he ran away from his problems and started a new. I'm sure we've all felt like we've ran from issues and the way he's facing with them coming back is always intriguing. The flash backs as to who exactly Dick Whitman/Don Draper really his. And how he's not a hypocrite about it. The scene where he's sitting in front of Peggy as she had a complete break down and all his advice is "Do it. Do whatever they say," he tells her. "Get out of here and move forward. This never happened. It will shock you how much it never happened."

That right there was some powerful television. Even if he's off cheating and you're pissed at him yet again for going around town, you still find that the man has a heart and how well the characters make you feel connected to this time in the 60's.



Of course, if you're one of those who doesn't like to watch Television, you can always read about the real life Don Draper.. Draper Daniel. But for everyone else, make sure to tune in on Sunday as this sounds like it's going to be one amazing season.

And on a final note, for those of you who think that there's not enough chances for women to write... 7 of the 9 writers of this show are women. It teaches you that you don't have to be a man to write for a man of the 60's. If that doesn't show that women are given more of a fair chance to write, then I don't know what would.