New Music November
How about we take a couple of minutes to talk about new music?
There, now you've been hipsterized.
The Gentleman, the Cat & the Tearoom
1 day ago
HETCH-HETCHY FIGHT DUE TO WATER TRUST; ' Tis That Inspires Moves Against San Francisco's Getting a Supply There, a Correspond- ent Says. VITAL TO THE CITY'S HEALTH Town Cannot Obtain an Adequate Supply from Any Other Source -- Little Injury to Scenery Involved.You see, Northern California wanted to build a dam and canal to supply water for Yosemite National Park. The Bay Area and Central Valley and neither the corrupt Federal Government or the then sparse residents of central and Southern California wanted to help pay for it. So NorCal, mainly San Francisco, built and paid for it themselves. The damn itself was a beauty. Before the Panama Canal, it was considered one of the 7 modern wonders. After it was finished, the dust bowl bible-belt hillbilly scum began migrating to the Central Valley and Southern California and land owners down there began demanding for the lion's share of the water for free.
And thus, it is shown that the bakery item -- a universal pleasure -- is not immune to the corrosive effects of class struggle...QuoteLove unions! They make the work force stronger! Well except for the Hostess deal...cost americans 18,500 jobs...lost tax revenue and the companies that have offered up bids for the liquidation of the brands are mostly foreign. Hmmmmm
QuoteI am not totally against unions but when they cause companies to close their doors because they think they don't have to make concessions is just greedy. The reason they could not come to an agreement was over wages. Hostess wanted the workers to take a 8% wage decrease the first year and then they would get a 3% increase the next year and then a 1% increase the year after so they were looking at a 4% decrease in total. I don't know what a Hostess baker made per hour but if it is like most union jobs it was a lot. Now because of the unions inability to come to a deal 18,000+ people are out of a job. Maybe it is better to take a small pay cut and keep your job? Just saying.QuoteLooks like the union won... Showed us how powerful they are.
Too bad the real losers are the employees and us that love Twinkies.
Over the past eight years since the first Hostess bankruptcy, the union members have watched as money from previous concessions that was suppose to go toward capital investment, product development, plant improvement and new equipment was squandered in executive bonuses, payouts to Wall Street investors and payments to high-priced attorneys and consultants.You see that? It's not the unions fault that the CEO's decided to, inspite of having major plans to prepare for bankruptcy, gave themselves raises and failed to have any sort of plan besides making the prettiest and comfortable parachute that they could use when they did decide that the end was indeed near.
The members are well aware that, as the company was preparing to file for bankruptcy earlier this year, the then CEO of Hostess was awarded a 300 percent raise. going from 750,000 to 2,550,000. And at least nine other top executives of the company received massive pay raises. One such executive received a pay increase from 500,000 to 900,000 and another went from $375,000 to $656,256.
All the while they have seen the company unilaterally end contractual obligated payments to their pension plan. Despite saving more than $160 million with this action, the company continues to fall deeper and deeper into debt. Debt and gross mismanagement by a string of failed CEOs with no true experience in the wholesale baking business have left this company unable to compete or survive.
St. Louis Mayor Francis Slay was quoted in a Nov. 13 KMOX-CBS St. Louis article stating, “I was told months ago they were planning on closing the site in St. Louis….And there was no indication at that time it had anything to do with the strike the workers were waging.”In fact, here's a little more detail for you. While the Hostess company faced bankruptcy and forced to ask the union to take an 8% pay cut, the Board of Directors themselves managed to give themselves a slew of raises as mentioned in the quote above. But here's a far more in-depth look at their raises.
n Superman issue 13, the Man of Steel's alter ego, mild-mannered reporter Clark Kent, quits the Metropolis newspaper that has been his employer since the DC Comics superhero's earliest days in 1940.
However, his still-strong feelings for Lois, combined with Daily Planet editor in chief Perry White getting on his case for not enough scoops on the Superman beat and his boss' boss Morgan Edge also giving him a hard time, leads to a Jerry Maguire-type moment where he quits in front of the whole staff and rails on how journalism has given way to entertainment — in a not-so-mild-mannered fashion. (The Daily Planet has also been moving more toward the real world, too, with the newspaper becoming part of the multimedia corporation Galaxy Broadcasting.)
Entertainment reporter Cat Grant also quits the Planet with him, and Lobdell says she'll be bringing "a whole other set of skills" to their next venture. It probably won't be at another media outlet in Metropolis, though.
"I don't think he's going to be filling put an application anywhere," the writer says. "He is more likely to start the next Huffington Post or the next Drudge Report than he is to go find someone else to get assignments or draw a paycheck from."
Clark's new employment status is part of Lobdell as well as DC wanting to explore Superman through a modern-day lens. The writer says Rocafort's vision of Clark and Superman is one where "both have a lot of gravity but are also very light and young and sexy." Plus, they talked about modern journalism jobs that may be more relevant than an old-school beat reporter for a newspaper.
"When we started discussions," Lobdell says, "they were like, 'Yep, let's see where this goes. Let's take the sacred super-cows and start looking at Superman with a new set of eyes.' "
Toronto Star posted
Unmanned aerial drones have proved valuable in Afghanistan for Canadian and American military forces on the hunt for Taliban bases and weapons caches.
Florida criminals, take note: You’re next on the list.
The Miami-Dade police department is now planning to use one of the airborne devices to track suspects and provide police with images of hostage situations before going in.
Dubbed a Micro Air Vehicle, or MAV, the radio-controlled drone — vaguely resembling an overturned garbage pail — is equipped with a camera system. It flies with the aid of small fans.
“It will be used in situations where our special response team has been called out and a perimeter has been set up, and will be operated by someone with a pilot’s licence,” Detective Aida Fina-Milian told the Star Thursday.
She said the force used a $50,000 grant from the U.S. Department of Justice to purchase the MAV, which has been in testing for the past several weeks. Its use on city streets has not yet been approved by the Federal Aviation Administration, a process that could take six months.
The MAV, which can fly as high as 3,200 metres, has the ability to hover over a scene or move quickly to a location, much like a helicopter.
It also has forward- and backward-facing cameras, and can be deployed in as little as five minutes. It is manufactured by Honeywell Aerospace.
While the MAV will no doubt aid police in tense situations, not everyone is pleased with the purchase.
The Florida chapter of the American Civil Liberties Union is raising concerns that the camera attached to the MAV could be used to invade people’s privacy.
“What happens when they fly over backyards and they see something without a warrant that they want?” said the Union’s executive director, Howard Simon, in an interview with Miami’s local CBS affiliate.
Police, however, say such concerns are unwarranted.
“We’re not going to fly it all around town,” said Det. Javier Baez told the Star. “It’s not like big brother is going to be watching for you.”

They pretty much equal American military robots crossing the line from merely frightening into surrealist nightmares.
